Sometimes, reaching out and taking someone’s hand is the beginning of a journey.
At other times, it is allowing another to take yours. (Vera Nazarian, The Perpetual Calendar of Inspiration)
A fall at some unknown moment severed Hummel boy-doctor’s hand. A Hummel girl has dropped her prize flower, a similar injury since all parts of the artwork are made as one. I am not experienced in ceramic or porcelain surgery. Boy and Girl are permanently scarred by amateur super-glue procedures. A lot of warm, soapy water keep my fingers from bonding together faster than my patients can.
Neither figure complains. Inside they are hollow. Most Internet searches refer to a Hummel’s monetary value. They don’t mention their history.
Sister Maria Innocentia Hummel’s 1930’s drawings were the inspiration for the porcelain art, postcard drawings of children in Germany and Switzerland. A simple beginning for beautiful, innocent designs.
Franz Goebel acquired rites to make the figurines in 1935. World War II made them popular exports.
The pictured cracked pieces belonged to my husband’s grandmother. While I am pleased to own them, they are things. Relationships are far more valuable.
People scars may or may not show. When someone is willing to share with me a significant hurt or loss, I feel honored. That person trusts me. My ears may need battery-operated amplification to work, but my heart works fine—provided I keep it open long enough.
In casual meetings folk ask one another, how are you? They answer, “Hanging in there.” Then they walk away. A single-phrase answer is enough. Taking another’s hand asks more, even if a situation can never be healed.
I don’t know enough to fix my own problems much less someone else’s life. However, a smile into the soul verifies worthiness. At one time or another, we all seem to need to be reassured!
I am thinking about changing my how-are-you to good-to-see-you, or a simple smile and wave. Hanging-in-there answers leave too much unsaid.
Peace, and may broken and glued places sparkle in sunlight.


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