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Posts Tagged ‘poem’

illustration After the Stroke blog

AFTER THE STROKE

You were right. The garage-sale couch 
I bought when we were in grad school
faded against our apartment wall
like sky into sky.

I never minded your razzing.
Your pokes led to embraces
on that bland divan. Its springs broke years ago.
Like the now-disconnected side of my body.

My words dissolve before they touch 
my tongue. But our past replays scenes 
as you rotate old photos
to feed my memory, although I forget

the ice water you set inches from my good side.
Lifting it proves my earth-presence.
At the soirée displayed in the center of a yellowed album
your eagle-proud mother told me, "Forget champagne.

A common large-beaked crow hides inside your 
black bargain dress. Perch on a lower shelf, dear."
As she lay dying, I wiped her chin and behind.
She never changed her mind about me.

I lift a freshened glass of water.
My arms could be made of paper straws.
Books cover one wall. We’ve read them all
I long for the ability to tell you to open

any book to the blank page in the back,
the space that announces words have ended.
Close the cover. Say good-bye.
Water dribbles down my numb chin.

I’m as hidden as our old blue sofa.
Lock your eyes into mine.
Let me see you as you were on that worn
linen eyesore. Enter a space that joins

everything it touches. Come.
Sit with me. Embrace your common crow.
One more time.
The chores will wait. This moment may not.  

The above poem is fiction. I am old enough to be aware of difficult possibilities. I am seeing a lot of them. For now, I celebrate this moment, and celebrate the quote I chose for today:

 

illustration made from public domain photo, pastel, colored pencil, and colored papers

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new beautician

Happiness is when what you say, what you think, and what you do are in harmony. (Mahatma Ghandi)

No, I don’t wear makeup. It doesn’t hide anything that isn’t superficial. During play, my granddaughter acted as my new beautician. Since the mascara was probably bought sometime during the Reagan era, I washed my face as soon as possible and then discarded the contents of the old makeup bag.

However, I saved this poem, written and published in Dream Weaver Magazine in January of 1998.

Sonnet by a Mature Woman

New wrinkle creams entice from glossy ads
with svelte, young anorexics smiling out
at both my chins, at skin too old for fads.
Bold claims portrayed in color, dull my doubt.
 
Be young. Be free. Deny the lines of time.
The agony of blemish, breasts that sag
must never mar a body fit to climb
perfection’s route, nor risk cosmetic snag.
 
And yet my husband sees each bulge and flaw
with eyes that know the gain and loss of years
we’ve shared: the new and old, the fresh and raw
of yesterdays with struggles, joys, and fears.
 
We see within each other love held deep.
Compared to banal wisdom, beauty’s cheap.

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flying geese

It ain’t what they call you, it’s what you answer to. W.C. Fields


GOOSELY TRANSLATED

Two Canada geese
settle into an angled parking space
in a Wal-Mart lot.

They take turns 
sharing shreds of bun
left in a torn red McDonald’s box.

One goose eats.
The other stands and watches.
They protect one another.

A car honks.
The blast interrupts their feast.
Harsh and threatening 
human voices call to the birds
as they flee.

The geese answer
from their aerial perspective.
I interpret their comeback
into English.

Excellent volume.
Lacks style.


Illustration created from a clipart drawing, pastels, and colored paper


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drops

Tis but a part we see and not a whole. (Alexander Pope)

Slices of green leaf hold drops of water,
while my camera crops the rest 
of the plant from my yard.

My window seat opens a square 
of flight into midday sky. Into
finespun white and gray clouds.
 
Blue twists through nature’s 
continuous artwork, 
intangible yet visible.

While the land below blends
into solid colors. Squares. 
An illusion of sameness.

When I hear angry people, I assume 
motives. Yet, what has been cropped 
from this old man’s life? 
Or young child’s future?

How long has this girl been searching 
through fragile clouds of the past 
for what can’t be found in the present?

I belong to the whole. 
The path opens wider,
yet never gives all.

Slices of green leaf hold drops of water
while my camera crops the rest
of the plant from the scene. 

I study what I see
while the whole holds all.





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blue bike illustration

(simple, childlike bicycle drawing)

Friendships in childhood are usually a matter of chance, whereas in adolescence they are most often a matter of choice. (David Elkind)

One 1950’s variety blue, 
second-hand bicycle, no features
peddle-power only.
Balance, I’d mastered it.

A classmate begged to ride.
She sped down the hill,
made a squealing brake, 
and met the concrete with her nose.

“It’s the bike’s fault,” she claimed.
Tears fell into the blood on her face
while she stared me down. 
My parents said nothing.

Alone, I stepped into new shades of balance. 
My peer seemed to choose a 
shift-the-blame ploy. As a reticent child, 
inaction was my norm. I hadn’t yet learned

when to be silent, when to speak.
I was mute out of fear. Balance
and courage took me years to develop.
To move from fragile ego into integrity.

A new goal reaches into my horizon, to focus
less on blame than on pain. How can I help you?
To be aware of both ploy and hurt. Neither
accepting nor giving censure. Not easy.

Balance includes more than gravity. To
maintain real-life love without being a jerk,
without giving more than I have.
One old lady moving forward, into peace.



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clean sheets

The past is a foreign country; they do things differently there.  (L.P. HartleyThe Go-Between)

THE SEASONS OF ENVY

When my kids were little
another young mother
ironed sheets, handkerchiefs,

boxer shorts, and the white T-shirts
her husband wore
to repair other folks’ plumbing.

A super-heroine mom.
I don’t recall her name.
We belonged to the same circle,

but I rarely spoke to her.
I thought we were too different.
Her kids appeared photo-shoot ready,

even in the sandbox.
Before noon my kids’ shirts needed pre-soak.
My boys called dress-up clothes corpse attire,

and a shirt buttoned to the neck, a noose.
Hours bonding with an iron didn’t suit my lifestyle.
Yet, I wondered how super-mom managed.

I honored her the way some people venerate saints,
the ones who accept martyrdom over burning coals
as if it were sunburn.

I meditate as I iron. Her explanation. Life’s wrinkles transformed.
Mine remained. I recall those days 
as I change bed sheets on an ordinary Thursday afternoon.

I notice holes in fabric
that has lasted through bleach, hot water,
myriad spins, more than one washer and dryer.

I consider the decades,
the blood clot in my lung, my parents’ funerals,
and nights when I couldn’t sleep.

I rub my hand over creases
and feel the texture of old cotton,
as if I could gather the years,

hold and thank them
for loss and imperfections
that have added character to my imperfections.

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You are imperfect, permanently, and inevitably flawed. And you are beautiful. (Amy Bloom)

 

Like a Goldfinch

I look for the male goldfinch each Spring,

for the bright yellow feathers that say,

I am here and so is the warmth of a new season.

 

Yet, the goldfinch visits my feeder

all winter.  He perches, dressed in drab,

everyday browns and grays.

In each season, whether white or green,

he flies away, thistle-seed fed.

One avian creature with

different-mood feathers.

 

I recognize warm seasons,

sun-colored birds, and blue skies.

And call them acceptable.

 

And yet, manure that creates roses

irritates my sensibilities.

 

Welcome, Mr. Goldfinch

in whatever suit you wear.

I hope to embrace my grayer feathers

with equal enthusiasm.

 

 

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guilt and spice

“There’s no problem so awful, that you can’t add some guilt to it and make it even worse.” (voice of comic strip character, Calvin, Bill Watterson, The Complete Calvin and Hobbes)

I found the following short poem among a stack of papers I saved. The pile needed to be faced before it reached the ceiling. Copies of stories since published, others that fit in the practice-until-you-get-it-right category, and sentimental items. I kept a few letters from friends now deceased. A birthday letter I wrote to my dad.

The pile is gone. The recycling bin was heavy before it was dragged away. The moment is free now.

I wrote Guilt in the winter of 1994. That is what it says at the bottom of the original. I can’t recall why that information was significant. I also don’t remember why these simple five lines appeared on blue parchment. It doesn’t matter. Move on… Learn… Grow…

 Guilt

A pinch of guilt

when used as spice

accentuates the real.

Regret is indigestible

when served as the main meal.

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Cleaning anything involves making something else dirty, but anything can get dirty without something else getting clean. (Laurence J. Peter)

Maple syrup spilled

in the back of my refrigerator.

 

As I scrub, beeps sound

a warning. Close the door. Now.

 

A fridge’s chill skill weakens

when heated air threatens its territory.

 

Maple goo has attacked a jar of pickles

This won’t take long, I hope.

 

I scrub, giving no anesthesia to mechanical

cries. Yet when I wait on hold

 

for three-calls-ahead

at my local pharmacy

 

during a pandemic rage,

I sometimes sigh and pace, as if

 

the workload of a short-staffed drugstore didn’t exist.

I have an agenda. Twenty-six hours forced into twenty-four.

 

A bit at a time, I say to the fridge

opened for briefer moments.

 

A more intensive task comes next.

Removing stickiness inside me.

 

 

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In my dreams, I never have an age. (Madeleine L’Engle)

A framed photograph dusted now and then.

The image never changes. One dresser

dragged through locations and years.

 

Scratched, worn. I am part of both experiences.

My bedroom mirror and 1971 wedding picture

affirm long-gone years.

 

Not different women. I rise from a dream

and recall fragments of sunlit forest.

Ageless spirit sees through a body’s eyes.

 

Reality may make harsh demands.

Yet, when a spirit dreams and recognizes its

power, it has an ageless vision.

 

 

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